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METALLICA START RECORDING IN MARCH

METALLICA has issued the following update:

"Greetings from not-so-sunny Northern California. We know that things have been pretty quiet here in web-land, so we thought we'd throw some shit your way... here goes...

"We are finishing up the last couple weeks of pre-production on the album and... really... seriously...(drum roll)... we're going to start recording on March 12th. We're pretty fuckin' psyched about it and pretty fuckin' psyched to be sharing this experience with Rick [Rubin, producer].

"But wait... there's more. We kinda sorta figured that by the time June rolled around, we would be ready for a break from recording (escape??) and since we had so much fun in Europe last summer, we thought, 'Why not go back for some more fun and games?' We're planning to share the summer love with our friends in some different countries we didn't get to last year... Okay, fuck it, maybe one or two repeats. We haven't quite worked out all the details yet, but we thought that for once we really would be the first site to break a piece of METALLICA news.

"So keep your eyes open for more details in the next few.. the plan right now is to head out in late June and hang out for a couple/three weeks. We might even do a certain festival that we've played 19 times in July that starts with a 'W,' maybe hit a certain band member's home turf... blah, blah, blah.

"It's a start . . . ."

Source Metallica

   

MARILYN MANSON HEADLINE GERMAN WOODSTAGE FEST

MARILYN MANSON has been confirmed as the headliner of the Woodstage open-air festival, set to take place June 16-17 at Grundelpark in Glauchau, Germany. MANSON previously headlined the event in 2005. Also scheduled to appear are German gothic rockers LACRIMAS PROFUNDERE.

Source BBM

   

STEVE TYLER "THERE'S FEW AEROSMITH ALBUM I CHOOSE NOT TO REMEMBER"

Uncut Magazine recently conducted an interview with Aerosmith frontman, Steve Tyler. Few excerpts are follows:

Uncut: Does AEROSMITH mean as much to you now as it did 30 years ago?

Tyler: It's different and yet, it's not so very different. We started out wanting to be like Janis Joplin, drinking Jack Daniels onstage and singing your ass off. Then you become successful and it's a fucking miracle, but your ego freaks out and everything becomes secondary to the band for the simple reason that you wouldn't have anything if it wasn't for the band. Now we have families and, of course, the families come first. But, if a family member passes away and we have a show to do, then the show must go on and we deal with the rest later.

Uncut: You were big fans of the NEW YORK DOLLS in your early days. In a just world, would the DOLLS have been as mega-successful as AEROSMITH became?

Perry: I don't think it has anything to do with a just world. It has to do with what it takes to keep a band together in the face of all the adversity. If anything, the DOLLS had more advantages than AEROSMITH in that they were darlings of the New York press and all that. Most bands struggled to get one-tenth of the recognition they got, and they just pissed it all away. They were the first band that I loved that I watched self-destruct. What I learnt from that is that it's not enough to get your foot in the door. You need to keep your foot there, get the rest of you in there and keep it all there.

Uncut: Should we ever become as filthy-rich as AEROSMITH, what's the best investment? A plane, a house, or a club?

Tyler: The most ridiculous purchase I ever made was my own plane. Cost me nearly a million dollars. The guy that flew me around also sold my coke. Then there was this one time when we flew into a thunderstorm and this plane looked for awhile like it wasn't going to make it. I sold it shortly after for a good profit. Forget clubs, man. Planes and property, you'll always make a profit.

Uncut: What's the best AEROSMITH album and the worst?

Tyler: The best would have to be "Toys in the Attic" (1975) or "Rocks" (1976). Then again "Pump" (1989) is pretty amazing. There's a few AEROSMITH albums I choose not to remember anymore. But the worst would have to be one of those many "Greatest Hits" that the record company put out in the '90s without our permission when we should have had our eyes on the ball but were, ahem, otherwise occupied.

Perry: For me, the worst ever was "Done with Mirrors" (1985). At that time, we were trying to make an album that was a bit like the old AEROSMITH and a bit like where we wanted to be heading. Those songs weren't completely lacking in inspiration, but little of it added up. That has to be our weakest record. Our strongest has to be "Get a Grip" (1993). It feels like a point of culmination that record, where we realized our potential and brought it right up front. I'm not surprised that songs like "Eat the Rich" and "Livin' on the Edge" have survived the test of time.

Uncut: Have you ever been embarassed or dissappointed at meeting your idols?

Tyler: I don't know about dissappointed or embarassed, but my first meeting with Paul McCartney was certainly memorable. I was in a backstage urinal at the Hammersmith Odeon. McCartney walked in, started doing what people do in urinals. For the record, I did not check his size out. But I'm taking this piss that seems to be taking forever, and Paul says, "Hey! Steven Tyler. I fucking love your music." And he gives me the famous thumbs up with his one free hand. Well, that snapped my stream, right there. It turned out to be quite a night, that one. I recall fat ones being smoked and a lot of wrestling around on the floor.

Uncut: There's a famous story about AEROSMITH playing a gig in the '70s when you came on stage having decided to reverse your set list. You played your encore song first and, then, assuming you'd done the entire show, walked off stage. Any truth to it?

Perry: It's a great story and it never goes away. Unfortunately it's not true. We've done some dumb things onstage but nothing as dumb as that. Having said that, there was one occasion where we played the same song twice because we'd forgotten we'd already played it. That might seem funny to some people, but we're not proud of it. It was that kind of sh*t that stopped people coming to our shows.

Source Uncut

 

 

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