HOME | BALLAD COLLECTION | ABOUT US | MY BOARD | CONTACT US | LINKS | ARCHIVE
   
NEWS
 

REUNION FEVER YEAR

Ian Youngs, BBC News, issued the following report:

A glut of veteran rock and pop bands have just announced that they will reform in 2007 - but why do they do it, and who could be next?

In the past few days, the reunion news has come thick and fast.

Antipodean favourites Crowded House, US rockers Rage Against the Machine and Van Halen and UK indie heroes James and the Jesus and Mary Chain are all planning live comebacks.

Genesis - with Phil Collins but without Peter Gabriel - have already announced summer dates, while Sting is widely expected to bring back The Police.

Other bands who have buried their various hatchets to return in 2007 include The Smashing Pumpkins, the Sugarcubes, Dinosaur Jr and My Bloody Valentine.

According to Mark Sutherland, London bureau chief of Billboard magazine, there is one big reason why many bands get back together.

"It's called money," he says. "Essentially that's what a reunion boils down to.

"In most cases, these people can make more money in their old band than they can doing whatever they're doing now."

If The Police do make a comeback, it will be "the biggest tour of the summer", Mr Sutherland says.

"They will play massive venues to huge amounts of people and Genesis have already sold out stadium dates all around the world."

When Genesis announced their plans last year, Collins denied being motivated by money.

"We're all loaded enough not to worry about where the next million or two is coming from," he said.

"If money was the issue, we'd be playing more than 20 shows. I just felt now was the right time to have a go at it," he said, adding that he "missed the camaraderie".

Crowded House's Neil Finn has explained their decision by saying it felt "right to us that the band should re-emerge" and they looked forward to "reconnecting with the audience".

James bassist Jim Glennie said band members started jamming together again and "things just clicked".

"I've never been as excited by a period in James' musical history as now," he said.

But when The Sex Pistols reformed for a world tour in 1996, John Lydon - formerly Johnny Rotten - made it clear that his band had buried their differences in filthy lucre.

"We have found a common cause, and it's your money," he sneered.

Fresh start

The Sex Pistols earned their pensions, but for some bands a comeback can mean a whole new lease of life.

British boy band Take That, who scored eight UK number one singles from 1993-96, have achieved one of the most impressive comebacks.

When they planned a tour for 2006, singer Mark Owen said they were "worried about how it would sell initially".

They went on to play more than 30 sold-out shows to half a million people, with Gary Barlow describing the response as "fascinating".

"Our tour was bigger than any of the tours we've done," he said. "We've been amazed by that. And if there's a bit of nostalgia in there, then great."

The tour was followed by new material, which gave them the UK's second biggest-selling album of 2006. They now have the chance to break America after signing a record deal there.

But that kind of reception is reserved for a select few bands with the largest, most loyal fanbases.

In contrast, fellow 1990s pop stars All Saints have seen their new album flop, while East 17's attempted comeback was met largely with indifference.

There are still a few more legendary line-ups, though, who could command huge attention - and fees - if they decided to give it one more shot.

Pink Floyd, including David Gilmour and Roger Waters, shared a stage at Live 8 in 2005 - but have resisted all offers for a full comeback.

"The biggest deal in terms of touring around the world would definitely be Pink Floyd," Mr Sutherland says.

"But those guys are billionaires or something - do they really need another castle?"

Abba reportedly turned down a $1bn (£690m) offer in 2000, with Benny Andersson telling a Swedish newspaper: "It is a hell of a lot of money to say no to, but we decided it wasn't for us."

The return of The Smiths, The Stone Roses or The Jam would cause a frenzy in the UK, Mr Sutherland adds.

Frosty relations

"That's the holy trinity right there if you could get those three bands to reform.

"But they're probably three of the most unlikely reformations out there because there does seem to be a genuine degree of antipathy between the members."

Their frontmen - Morrissey, Ian Brown and Paul Weller - have also enjoyed successful solo careers and so are less likely to need the windfall.

The chances of a reunion go up as the fortunes of the band's members go down and their egos and wallets long once more for the glory days.

But rock history proves that time is a great healer - and money can be a very useful medicine.

Source BBC News

   

JON OLIVA "EVERYTHING THAT GOES ALONG WITH TOURING IS REALLY A NIGHTMARE"

Recently Morley Seaver from antiMusic conducted an interview with with SAVATAGE/JON OLIVA'S PAIN mastermind Jon Oliva. An excerpt from the chat follows:

antiMUSIC: Your last record was two years ago. Can you tell us what led up to this record [JON OLIVA'S PAIN's "Maniacal Renderings"] and how it all came together? I understand there's an interesting element to this story.

Jon Oliva: Well yeah, the first [JON OLIVA'S PAIN] record I did, I mean I started doing this whole thing mainly because of the TRANS-SIBERIAN ORCHESTRA stuff and it was taking a whole lot of time away from the SAVATAGE guys since they all play in the orchestra. So I came up with this idea for an avenue for me to put music out again because I was kinda just sitting around writing a lot and wasn't really doing anything. So the first time was kind of like a rush job. More like a rush job. I didn't really spend a lot of time on it. I just wanted to get something out, because it had been like four years, three or four years before I'd had any kind of release out. So it did OK and then it led up to doing the second one. And, um, you know, the first one did pretty good. You know people liked it and stuff. So it was, it warranted them to do another one. You know the interesting thing about this one is that we found some lost writing tapes my brother had given me a long time ago. And I actually pulled some stuff off of those, things that no one had ever heard before, that we never used with SAVATAGE or anything, and incorporated them into this record. So that's kind of been the thing that a lot of people have been talking about because it's kind of a cool thing. And also it's been a long time since we'd heard anything from [late SAVATAGE guitarist] Criss [Oliva].

antiMUSIC: Are you a touring kind of guy or do you prefer to just write and record?

Jon Oliva: I'm a studio guy. I love to play for people. But everything that goes along with touring is really a nightmare. Especially going overseas. So it's a sacrifice you have to make, because I love to play and if I could just be like "I Dream of Jeannie", laughs, I would just blink and show up five minutes before show time. I'd tour...I'd never stop touring. But it's the flying around, and the shitty hotels and you know now you have all the shit with the terrorists going on and the people over there are just a little creepy sometimes. You know, when you go over there…I was just over there when they had the thing where they broke up the plot of blowing up the 10 airplanes flying from Europe to over here. Well we were booked on one of them. (Laughs) So that kinda...when shit like that hits happens, it kinda hits you. When 9/11 happened we were one tour. We were in California at a rest stop in our tour bus. We were on like a whole string of shows coming back to the east coast, and the next thing we know we're stuck at a rest stop in California. The borders are all closed. No airplanes are flying. The phones are all screwed up. We couldn't get a hold of anybody at home. It was like a slap. It was really intense. I'm kinda over the traveling. I've been doing it for 25 years but I love to play, so you've got to take the good with the bad.

Source Rocknworld

   

THRESHOLD NEW BAND MEMBER

THRESHOLD have issued the following update:

"The Biography area has been updated, and there are new individual band member photographs under the More section of the page. The location for the photo shoot was the cellar of Bray Film Studios, where many scenes from the original Hammer House Of Horror movies were filmed. The pictures were taken by John Tucker, photographer and author of the book Suzie Smiled... Tales From The New Wave Of British Heavy Metal."

As previously reported, Threshold recently announced that guitarist Pete Morten (SOLILOQUY) has been named as the band's second guitarist for their forthcoming live shows, following the announcement that Nick Midson will be taking a break from the band.

Source Threshold

 

 

HOME BALLAD COLLECTION ABOUT US MY BOARD CONTACT US LINKS
Copyright© 2006-2007. ILoveBallad.com. All rights reserved.